DAP D2251 Live 328

Professional 8 bus mixing console is suitable using in live performance, large band, film studio and large outside meeting amplify. It is famous with its lowest noise, perfect functions and easy operation and high precision for performance mixing.

External Power supply:
• External 19” power supply

• Live 32-8 Ordernr: D2251
32 Channel 8-bus mixer
24 mono inputs and 4 stereo inputs

• Live 40-8 Ordernr: D2250
40 Channel 8-bus mixer
32 mono inputs and 4 stereo inputs

24 or 32 Mic/Line/Tape Channels,
each channel with:

• 48V Phantom Power switch
• PEAK and SIGNAL LED
• MIC, LINE, TAPE select
• 80 Hz Low-cut filter
• Highest quality pre-amps
• High EQ
• High/Mid sweep
• Mid EQ
• Mid/Low sweep
• Low EQ
• AUX send buses for external
effects or monitoring
- AUX 1, 2, 3 and 4 bus pre-fader
- AUX 5 and 6 with post-fader
and pre-fader switch
with shift to AUX 7 and 8
• Independent MIX-B out with
PAN and level control
• Split EQ function
• Source flip switch
• Channel mute
• To Subgroup 1/2
• To Subgroup 3/
• To Subgroup 5/6
• To Subgroup 7/8
• PAN L/R control
• SOLO (PFL)

4 Stereo Channels, each channel with:
• 2-band Hi, Low EQ level control
-15 dB / +15 dB
• 2 x AUX (pre-fade) control
• Left / Right Balance control
• 8 subgroups
• Mute function with LED control
• Solo function with LED control
• 60 mm stereo slider
• Peak LED
• Signal LED

LED Level Meter:
• Built-in 10-dot LED level meter
• on all 32 (40) mono channels

VU Level Meter:
• Built-in analogue VU level meter
• (Left & Right) on Master section

MAIN Section:
• Built-in 10-dot LED level meter
on GROUP 1-8 and monitor,
• BNC connector for 12V
gooseneck light
• 6x Stereo AUX RETURN
with balance and level control
• 8x AUX SEND with MUTE
and SOLO function
• SUB-to -MIX, -SUBMUTE,
- SOLO with PAN function and Mute
• Control Room source matrix:
Main Mix, Mix-8, 2-Track, External
• 8x 100 mm Subgroup fader
• 2x 100 mm (Left/Right) Master-fader
• 1x 100 mm Mono-out Fader
• XLR Talkback microphone input
• CTR-out to MIX-L/R, MIX-B,
• 2-Track, or External mix
• Headphone section

• Frequency Response (±1 dB @ 20 Hz 20 kHz)
• GROUP, MIX-B, MONO, AUX SEND
• T.H.D (<0.1% @ +14 dB 20 Hz - 20 kHz)
• GROUP, MIX-B, MONO, AUX SEND

• Hum and Noise (Rs = 150W)
• Equivalent Input Noise -128 dB
• GROUP, MIX-B, MONO, AUX SEND
• -95 dB (Residual Noise)
• GROUP, MIX-B, MONO, AUX SEND
• Master fader minimum -80 dB
(Residual Noise)

• Input Sensitivity / Impedance
• MIC -60 dB / 600 (BAL)
• LINE -20 dB / 10K (BAL)
• AUX Return +4 dB/10K (UNBAL)
• TAPE Return -10 dB v / 10K (UNBAL)

• Output Level / Impedance
• MIX L/R, Mono +4 dB / 600 (BAL)
• Ctrl Room, MIX-B +4 dB / 600 (BAL)
• Group + 4 dB / 600 (BAL)
• Insert 0 dB / 10K
• Phone 100 mW / 40

• Gain Control 44 dB

• Phantom Power +48V DC (Individual)

Equaliser
• Maximum boost or cut ±15 dB
• High 12 kHz (shelving)
• High - Mid 800 - 8 kHz (sweep)
• Mid - Low 160-1.6 kHz (sweep)
• Low 80 Hz (shelving)

• Dimensions: 1220 x 670 x 160/260 mm (LxWxH)

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